Las
Vegas Weather
Las Vegas is at the heart of the hottest, harshest
desert in North America, and so receives less than four
inches of rain (10cm) per year. Temperatures, however,
vary enormously, with daytime maximums averaging over
100°F (38°C) in July and August, and night-time
minimums dropping below freezing in December and
January. The midsummer heat on the Strip is unbearable,
making it impossible to walk any distance during the
day, so the ideal months to visit are April, May,
September and October. Hotel swimming pools tend to be
closed between October and March inclusive.
The city is at its quietest , and room rates are
therefore lowest, during the first few weeks of December
and the last few weeks of January, and also during June
and July, while Christmas and New Year are the busiest
periods of all.
Las
Vegas Overview
Shimmering from the desert haze of Nevada like a
latter-day El Dorado, Las Vegas is the most dynamic,
spectacular city on earth. At the start of the twentieth
century, it didn't even exist; at the start of the
twenty-first, it's home to well over one million people,
with enough newcomers arriving to need a new school
every month.
Las Vegas is not like other cities. No city in history
has so explicitly valued the needs of visitors above
those of its own population. All its growth has been
fueled by tourism, but the tourists haven't spoiled the
"real" city; there is no real city. Las Vegas
doesn't have fascinating little-known neighborhoods, and
it's not a place where visitors can go off the beaten
track to have more authentic experiences. Instead, the
whole thing is completely self-referential; the reason
Las Vegas boasts the vast majority of the world's
largest hotels is that around thirty-seven million
tourists each year come to see the hotels themselves.
Each of these monsters is much more than a mere hotel,
and more too than the casino that invariably lies at its
core. They're extraordinary places, self-contained
fantasylands of high camp and genuine excitement that
can stretch as much as a mile from end to end. Each
holds its own flamboyant permutation of showrooms and
swimming pools, luxurious guest quarters and
restaurants, high-tech rides and attractions.
The casinos want you to gamble, and they'll do almost
anything to lure you in; thus the huge moving walkways
that pluck you from the Strip sidewalk, almost against
your will, and sweep you into places like Caesars Palace
. Once you're inside, on the other hand, the last thing
they want is for you to leave. Whatever you came in for,
you won't be able to do it without crisscrossing the
casino floor innumerable times; as for finding your way
out, that can be virtually impossible. The action keeps
going day and night, and in this windowless - and
clock-free - environment you rapidly lose track of which
is which.
"Little emphasis is placed on the gambling clubs No
cheap and easily parodied slogans have been adopted to
publicize Las Vegas, no attempt has been made to
introduce pseudo-romantic architectural themes or to
give artificial glamour or gaiety." WPA Guidebook
to Nevada, 1940
Las Vegas never dares to rest on its laurels, so the
basic concept of the Strip casino has been endlessly
refined since the Western-themed resorts and ranches of
the 1940s. In the 1950s and 1960s, when most visitors
arrived by car , the casinos presented themselves as
lush tropical oases at the end of the long desert drive.
Once air travel took over, Las Vegas opted for
Disneyesque fantasy, a process that started in the late
1960s with Caesars Palace and culminated with Excalibur
and Luxor in the early 1990s.
These days, after six decades of capitalism run riot,
the Strip is locked into a hyperactive craving for
thrills and glamour. First-time visitors tend to expect
Las Vegas to be a repository of kitsch , but the casino
owners are far too canny to be sentimental about the old
days. Yes, there are a few Elvis impersonators around,
but what characterizes the city far more is its endless
quest for novelty . Long before they lose their sparkle,
yesterday's showpieces are blasted into rubble, to make
way for ever more extravagant replacements. The Disney
model has now been discarded in favor of more adult
themes, and Las Vegas demands nothing less than entire
cities . Replicas of New York, Paris, Monte Carlo and
Venice now jostle for space on the Strip.
The customer is king in Las Vegas. What the visitor
wants, the city provides. If you come in search of the
cheapest destination in America, you'll enjoy paying
rock-bottom rates for accommodation and hunting out the
best buffet bargains. If it's style and opulence you're
after, by contrast, you can dine in the finest
restaurants, shop in the most chic stores, and watch
world-class entertainment; it'll cost you, but not as
much as it would anywhere else. The same guidelines
apply to gambling . The Strip giants cater to those who
want sophisticated high-roller heavens, where tuxedoed
James Bond look-a-likes toss insouciant bankrolls onto
the roulette tables. Others prefer their casinos to be
sinful and seedy, inhabited by hard-bitten heavy-smoking
low-lifes; there is no shortage of that type of joint
either, especially downtown.
On the face of it, the city is supremely democratic.
However you may be dressed, however affluent or
otherwise you may appear, you'll be welcomed in its
stores, restaurants, and above all its casinos. The one
thing you almost certainly won't get, however, is the
last laugh ; all that seductive deference comes at a
price. It would be nice to imagine that perhaps half of
your fellow visitors are skilful gamblers, raking in the
profits at the tables, while the other half are losing,
but the bottom line is that almost nobody's winning. In
the words of Steve Wynn, who built Bellagio and the
Mirage , "The only way to make money in a casino is
to own one"; according to the latest figures, 85
percent of visitors gamble, and they lose an average of
$665 each. On top of that, most swiftly come to see that
virtually any other activity works out cheaper than
gambling, so end up spending their money on all sorts of
other things as well. What's so clever about Las Vegas
is that it makes absolutely certain that you have such a
good time that you don't mind losing a bit of money
along the way; that's why they don't even call it
"gambling" anymore, but "gaming."
Finally, while Las Vegas has certainly cleaned up its
act since the early days of Mob domination, there's
little truth in the notion that it's become a family
destination. In fact, for kids, it's doesn't begin to
compare to somewhere like Orlando. Several casinos have
added theme parks or fun rides to fill those odd
nongambling moments, but only ten percent of visitors
bring children, and the crowds that cluster around the
exploding volcanoes and pirate battles along the Strip
remain almost exclusively adult.
Neighborhoods
and orientation
It doesn't take long to come to grips with the physical
layout of Las Vegas. Downtown , slightly southeast of
the intersection of I-15 and US-95, may stand at the
center of an urban sprawl that stretches fifteen miles
in all directions, but it's the legendary Strip ,
starting two miles south of downtown, where the main
action takes place. In fact, by no coincidence at all,
the Strip begins at the point where Las Vegas Boulevard
leaves the city limits, and casino owners are therefore
not liable to city taxes.
The Strip itself consists of the four miles of Las Vegas
Boulevard between the Sahara and Mandalay Bay , and thus
now reaches as far south as McCarran Airport. Almost
every building along the way is a casino, each
frantically clamoring for the attention of the tourists
who throng the road day and night. For the sake of
convenience, it's often loosely divided into the South
Strip , from Mandalay Bay up to the MGM Grand and New
York-New York ; the Central Strip , which includes
Bellagio, Caesars Palace and the Venetian ; and the
North Strip , from the Stardust to the Sahara .
Whatever you might expect, downtown Las Vegas is not a
bustling area where locals go about their business far
from the mayhem of the Strip. Instead, it too is utterly
dominated by casinos. Its centerpiece, the Fremont
Street Experience , is an extraordinary architectural
conceit, in which four blocks of its main thoroughfare
have been roofed over to give it the feel of a theme
park rather than a real city. An unfortunate side effect
has been to make the rest of downtown seem even more
derelict and menacing than before; it is not an area any
visitor should attempt to explore.
In between the Strip and downtown lie two somewhat seedy
miles of gas stations, fast-food drive-ins, and wedding
chapels, parts of which have been optimistically but
pointlessly promoted as the Gateway District .
Being closely paralleled by both the I-15 interstate and
the (currently inactive) railroad line, the Strip also
serves as the dividing line between east and west Las
Vegas. The closest attempt to match the success of the
Strip has been along Paradise Road , immediately to the
east and home to the Las Vegas Hilton , the Convention
Center, the Hard Rock , and several popular restaurants.
A large campus to the east of Paradise Road, between
Flamingo and Tropicana avenues, houses UNLV - the
University of Nevada Las Vegas - whose students tend to
hang out on Maryland Parkway , another block east.
Although the area to the west of the Strip is less
susceptible to generalization, the Rio and the Palms
have encouraged tourists to stray across to the far side
of the interstate, and Decatur Boulevard , especially
around Sahara Avenue, is a thriving shopping district.
City residents, of course, can distinguish between the
demographic profiles of any number of Las Vegas
neighborhoods , but tourists spend so little of their
time anywhere other than the Strip or downtown that they
can remain oblivious. Broadly speaking, the northeast
and northwest quadrants of the city are its less
affluent areas, while its most fashionable district is
Henderson to the southwest - ranked in its own right as
one of America's fastest-growing cities - with the new
Summerlin development to the east tipped as a future
rival.
Entertainment
There was a time when performing in Las Vegas
represented the absolute pinnacle of any show-business
career. In the early 1960s, when Frank Sinatra's Rat
Pack were shooting the original Ocean's 11 during the
day then singing the night away at the Sands , the city
could claim to be the capital of the international
entertainment industry. It was even hip.
The money is still there in Las Vegas, as was shown by
the MGM Grand paying Barbra Streisand a reported $20
million to perform on Millennium Eve, but the world has
moved on. As the great names of the past fade from view,
few of the individual performers popular with
traditional Vegas visitors are now considered capable of
carrying an extended-run show. Today's stars, on the
other hand - Celine Dion excepted - don't want to spend
their lives playing Vegas. Top-selling musicians make
quite enough money from recordings and occasional tours
not to need to spend months at a time in the desert.
Nonetheless, live entertainment remains a crucial
component of the Las Vegas package, and the days of the
big-budget "spectacular" are far from over.
The tendency nowadays is to rely on lavish stunts and
special effects rather than global megastars, with the
illusionist-magicians Siegfried and Roy now into their
second decade at the Mirage . A fair number of old-style
Vegas revues are still soldiering on, but there are more
stimulating contemporary productions than you might
imagine. In particular, the arty Canadian-based
circus/theater troupe, Cirque du Soleil , has
revolutionized attitudes toward what Las Vegas audiences
might be able to handle. Its two stunning shows, Mystère
at Treasure Island and the magnificent O at Bellagio ,
remain the biggest tickets of all, though the Luxor 's
Blue Man Group has stolen a little of their avante-garde
thunder. To make sure of seeing one of these big-name
shows, especially on a weekend, it's essential to make
reservations as far in advance as possible; if you're
happy just to see whatever's available, however, most of
the lesser shows are still selling tickets right up
until showtime.
It also looks as though Las Vegas might finally be
getting more into tune with the musical tastes of the
baby-boom generation. You can still see Tom Jones,
Englebert Humperdinck, and Wayne Newton if you're in
town at the right time, and lots of unfashionable names
from the Seventies and Eighties linger on, but the Hard
Rock, Mandalay Bay , and Aladdin are all now showcasing
the biggest names in contemporary rock, reggae, blues,
and soul.
We've reviewed a representative cross-section of Las
Vegas shows. All take place on the Strip ; several of
the downtown and off-Strip casinos have showrooms, but
with the Rio repeatedly misfiring, none currently
features anything of interest. Note that the
entertainment scene was especially hard hit by the
post-September 11 economic downturn. Several shows
closed, while others reduced their frequency and/or
ticket prices. All the listings here are therefore even
more subject to change than usual.
As for what the future may hold, the Cirque du Soleil
will certainly remain at the forefront. They're said to
be developing a show for Steve Wynn's Le Reve , set in a
Himalayan village where all the children aged under
eleven can fly, and another for New York-New York , with
a fire theme to match O's water motif. The biggest
single project of all, however, is the Colosseum at
Caesars Palace , intended to draw four thousand people
per night to watch Celine Dion.
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